Jahmorei Snipes’ PILLAR is a series of poetic monologues exploring the world through the lens of Black womanhood. Through spoken word performance, Snipes considers place, safety, and identity from her own perspective, building on themes of storytelling and visibility from Perfect City’s 2023 art and research project Invisible Guides. The development of PILLAR began in 2018 from Snipes’ frustration as a woman forced to maintain patriarchal structures. In her own words, “The function of pillars is to hold up a structure in order to keep it from collapsing. Black women have become the pillars that maintain the structure of our community”.

BUYME is a metamodern interactive art project by Lola Libre that investigates the existence of digital colonialism and its role in perpetuating the exploitation of femme bodies both on and offline. The installation incorporates web-based art, installation, and performance activation to challenge our understanding of power dynamics in digital landscapes and encourage reflection on who and what receives protection online.

All The Time in the World is a new performance work by Aaron Landsman about collective self-regard and the ways capital-driven social media algorithms define how we apprehend the world now. The text is designed and rendered as an original card game - a combination of Uno, Exploding Kittens and Five-Card Draw - played by four actors at a folding table in front of an audience. All the Time in the World takes the ‘media’ out of social media and leaves the gathering and the words. The piece invites us to consider moments in our lives that escape our lenses and render more strongly as memory than our image diaries allow.