Accessibility
History of Abrons Arts Center Architecture and Value Statement
Originally named the “Arts For Living Center,” Abrons Arts Center is widely regarded as a case study for the role architecture can have in facilitating access to the arts for a diverse community. Breaking ground as an extension to the Henry Street Settlement’s Playhouse during New York City’s historic 1970’s financial crisis, the Center was designed by architect Lo-Yi Chan of the firm Prentice & Chan, Ohlhausen in collaboration with an intergenerational cohort of local residents. Together, they developed a design for a new kind of urban arts center for the 20th century—one that would be of service to a wide array of needs and interests of local and visiting communities.
Today, discourse around accessibility has necessarily advanced, and as a community-based cultural organization, Abrons is committed to evolving alongside our neighbors. While radically inclusive in its design when the building first opened, we acknowledge that there are ways that our building is challenging to navigate for individuals with a range of mobility and access needs. We are committed to expanding upon our institution’s legacy of inclusivity by providing clear and welcoming points of entry for disabled communities to utilize our spaces. We also acknowledge that access extends beyond architecture, and we are committed to curating programming that is inclusive of the needs of deaf, hard of hearing, blind, low vision, and neurodiverse communities.
This accessibility information sheet serves as a guide for existing resources and will be continually reviewed and updated as we strive to create a more inclusive space. Abrons’ commitment to accessibility is a work in progress and we welcome input from our community members so we learn and evolve our capabilities and understanding of needs.
Please email [email protected] with your feedback and suggestions.